‘Image making is often considered one
of the unique and quintessential competences
of Homo sapiens sapiens, differentiating
the subspecies, for example, from H. sapiens
neanderthalenis and from earlier hominds.’

From Whitney Davis’ paper ‘The Origins of Image Making’
[Davis, 1986, Jun., Vol. 27, No. 3, p. 193.]

The nineteenth-century is characterised by an energy for, and an enthusiasm about, the representational which has outstripped anything before, or indeed since, in its general range and basic inventiveness. During a handful of decades the representational was, to an unprecedented degree, mechanised, democratised, popularised, and humanised. For instance, the mechanisation of the representational is most readily pegged out between markers such as the discovery of photography in the 1830’s; the first recording of sound in 1877; and the invention of wireless and cinematography in the 1890’s.[i]

Luban

The film will tell about several search teams currently working in the Leningrad region, whose purpose is to find, identify and further bury the remains of WWII combatants.

Emoji Translations

“Tech analysts estimate that over six billion emojis are sent each day.” It is safe to say that emojis have a big involvement in the way we visually communicate. Just as all language and communication requires a certain level of translation and interpretation this is also true for emojis. I have a fun story to illustrate how I first became aware of this reality.

In the 1970s and 1980s, young activists discovered video as a new medium and used moving images in their struggle for access to cultural expression for the many, not the few. They were researching and developing new forms of independent and participatory media work – an important step towards realizing the utopian promises of the digital age.

Lydia Nakashima Degarrod

Atlas of Dreams

I created the installation Atlas of Dreams, a series of artistic maps and audio recordings, to portray the emotional traces left by 145 dreamers when they narrated their memorable dreams in the cities of the Bay Area of San Francisco.

  • I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.

    Errol Morris

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    The task for sociology is to come to the help of the individual. We have to be in service of freedom. It is something we have lost sight of.

    Zygmunt Bauman

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    Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

    William S. Burroughs

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    Every photograph promises more than it delivers and delivers more than it intended.

    Steve Harp

  • We never really know what’s around the corner when we’re filming – what turn a story will take, what a character will do or say to surprise us, how the events in the world will impact our story.

    Barbara Kopple

  • Give us adequate images. We lack adequate images. Our civilization does not have adequate images. And I think a civilization is doomed or is going to die out like dinosaurs if it doesn’t develop an adequate language for adequate images.

    Werner Herzog

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    The function of sociology, as of every science, is to reveal that which is hidden.

    Pierre Bourdieu

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    For any picture, ask yourself what question or questions it might be answering. Since the picture could answer many, questions, we can decide what question we are interested in.

    Howard Becker

  • If you want to tell the untold stories, if you want to give voice to the voiceless, you’ve got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you’re dumb and blind.

    Salman Rushdie

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    Visual culture is now the study of how to understand change in a world too enormous to see but vital to imagine.

    Nicholas Mirzoeff

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    If it’s far away, it’s news, but if it’s close at home, it’s sociology.

    James Reston

  • Photographers learn to interpret photographs in that technical way because they want to understand and use that ‘language’ themselves (just as musicians learn a more technical musical language than the layman needs). Social scientists who want to work with visual materials will have to learn to approach them in this more studious and time-consuming way

    Howard Becker

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    There are dignified stupidities, and there are heroic stupidities, and there is such a thing as stupid stupidities, and that would be a stupid stupidity not to have a camera on board.

    Werner Herzog

  • Watching a documentary with people hacking their way through some polar wasteland is merely a visual. Actually trying to deal with cold that can literally kill you is quite a different thing.

    Henry Rollins

  • You try your hardest to give people their space, but at moments you know you’re capturing their image in ways they may or may not be okay with. It’s that rocking back and forth between respect and betrayal that I feel like is at the heart of the film.

    Kirsten Johnson

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    Reality changes; in order to represent it, modes of representation must change.

    Bertolt Brecht

  • Before I became a film major, I was very heavily into social science, I had done a lot of sociology, anthropology, and I was playing in what I call social psychology, which is sort of an offshoot of anthropology/sociology – looking at a culture as a living organism, why it does what it does.

    George Lucas

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    One advantage of photography is that it’s visual and can transcend language.

    Lisa Kristine

#Visualsociology

Helen Lomax

We are looking forward to welcoming you next term at @HudCRES @eduhuduni and cheekily hoping you will also run a seminar for the postgraduate researchers - inspired by your work on #creativemethods #visualresearch #visualsociology @WeLoveResearch @HudStudents twitter.com/dawnmannay/sta…

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